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The Frontiers of Confessionalism in American Autobiography - Single View

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Basic Information
Type of Course Hauptseminar Long text
Number Short text
Term SoSe 2016 Hours per week in term 2
Expected no. of participants Max. participants 30
Credits Assignment enrollment
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Language Englisch
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Department :
Anglistik

Department :
Anglistik
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  Day Time Frequency Duration Room Room-
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Status Remarks Cancelled on Max. participants E-Learning
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Mo. 08:00 bis 10:00 wöch. from 18.04.2016  R12R - R12 R04 B02      
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Responsible Instructor
Responsible Instructor Responsibilities
Knox-Raab, Melissa , Dr.
Exams / Modules
Number of exam Examination Version Module
1602 Literary Studies
Assign to Departments
Anglistik
Contents
Description

The American myth of the endless frontier continues to inspire autobiographical writing. The period spanning second-wave feminism to the present includes many confessional books—novels and memoirs in particular—that challenge traditional notions of what is proper to reveal. From Maya Angelou’s recollections of growing up black and poor in the segregated American South—and being raped as a child—to Cheryl Strayed’s hike along the Pacific coast frontier after the death of her mother to Lena Dunham’s precise detailing of intimate feelings and behaviors, these books establish an exhilarating limitlessness in American autobiographical writing.

Maya Angelou, I Know Why The Caged Bird Sings (1969)

Alix Kates Schulman, Memoirs of an Ex-Prom Queen (1972)

Susannah Kaysen, Girl, Interrupted (1993)

Cheryl Strayed, Wild: From Lost to Found on the Pacific Coast Trail (2012)

Lena Dunham, Not that Kind of Girl (2014)


Structure Tree
Lecture not found in this Term. Lecture is in Term SoSe 2016 , Currentterm: Summer 2025