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BERGHAHN, Daniela (2011b) ‘“Seeing Everything with Different Eyes”: The Diasporic Optic in the Films of Fatih Akin’ in Cooke, Paul and Homewood, Chris (eds.) New Directions in German Cinema. London: I. B. Tauris, pp. 235-252.
BERGHAHN, Daniela and Sternberg, Claudia (eds.) (2010c) ‘Locating Migrant and Diasporic Cinema in Contemporary Europe’ in European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe. Basingstoke: Palgrave, pp. 12-49.
BLUMENTRATH, Henrik et al. (2007) Transkulturalität. Türkisch-deutsche Konstellationen in Literatur und Film. Münster: Aschendorff Verlag.
BRAUERHOCH, Annette (1995) ‘Die Heimat des Geschlechts – oder mit der fremden Geschichte die eigene erzählen. Zu „Shirins Hochzeit“ von Helma Sanders-Brahms’ in Karpf, Ernst, Kiesel, Doron, and Visarius, Karsten (eds.) „Getürkte Bilder“: Zur Inszenierung von Fremden im Film. Marburg: Schüren, pp. 109-115.
BULUT, Claudia (2000) ‘Von der Gastarbeiterin zur Schutzpolizistin. Das konstruierte Bild der fremden Frau im deutschen Film und Fernsehen’ in Schatz, Heribert, Holtz-Bacha, Christina und Nieland, Jörg-Uwe (eds.) Migranten und Medien. Neue Herausforderungen an die Integrationsfunktion von Presse und Rundfunk. Wiesbaden: Westdeutscher Verlag, pp. 253-264.
BURNS, Rob (2007) ‘Towards a Cinema of Cultural Hybridity: Turkish-German Filmmakers and the Representation of Alterity’ in Debatte: Journal of Contemporary Central and Eastern Europe 15(1), pp. 3-24.
BURNS, Rob (2012) ‘From Two Worlds to a Third Space: Stereotypy and Hybridity in Turkish-German Cinema’ in Karanfil, Gökçen and Şavk, Serkan (eds.)Imaginaries Out of Place: Cinema, Transnationalism and Turkey. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 56-88.
GÖKTÜRK, Deniz (1999) ‘Turkish Delight – German Fright: Migrant Identities in Transnational Cinema’ in Working Paper for the ESRC Transnational Communities Programme Working Paper Series 99(1), pp. 1-14.
GÖKTÜRK, Deniz (2000) ‘Turkish Women on German Streets: Closure and Exposure in Transnational Cinema’ in Konstantarakos, Myrto (ed.) Spaces in European Cinema. Exeter; Portland: Intellect, pp. 64-76.
HAKE, Sabine and Mennel, Barbara (eds.) (2012b) ‘Introduction’ in Turkish German Cinema in the New Millennium: Sites, Sounds and Screens. Oxford: New York: Berghahn Books, pp. 1-18.
HALL, Stuart (1990). ‘Cultural Identity and Diaspora’ in Rutherford, Jonathan (ed.) Identity: Community, Culture, Difference. London: Lawrence & Wishart, pp. 222-237.
HIGBEE, Will and Lim, Song Hwee (2010) ‘Concepts of Transnational Cinema: Towards a Critical Transnationalism in Film Studies’ in Transnational Cinemas 1(1), pp. 7-21.
HIGSON, Andrew (1989) ‘The Concept of National Cinema’ in Screen 30(4), pp. 36-46.
LEAL, Joanne and Rossade, Klaus-Dieter (2008) ‘Negotiating Gender, Sexuality and Ethnicity in Fatih Akın’s and Thomas Arslan’s Urban Spaces’ in German as a Foreign Language 3, pp. 59-87.
MENNEL, Barbara (2002): ‘Bruce Lee in Kreuzberg and Scarface in Altona: Transnational Auteurism and Ghettocentrism in Thomas Arslan's "Brothers and Sisters" and Fatih Akın's "Short Sharp Shock"’in New German Critique Special Issue on Postwall Cinema 87, pp. 133-156.
MENNEL, Barbara (2008) ‘Globales Migrationskino, der Ghetto-Flâneur und Thomas Arslans »Geschwister«’ in Kühnemund, Jan and Potts, Lydia (eds.) Mann wird man. Geschlechtliche Identitäten im Spannungsfeld von Migration und Islam. Bielefeld: Transcript, pp. 53-62.
NAFICY, Hamid (2006) ‘Situating Accented Cinema’ in Ezra, Elizabeth and Rowden, Terry (eds.) Transnational Cinema: The Film Reader. London; New York: Routledge, pp. 111-129.
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SEESSLEN, Georg (2000) ‘Das Kino der doppelten Kulturen/Le Cinéma du métissage/ The Cinema of Inbetween. Erster Streifzug durch ein unbekanntes Kino-Terrain’ in epd Film 12, pp. 22-29.
STEWART, Lizzie (2015) ‘Turkish-German Comedy Goes Archival: Almanya - Willkommen in Deutschland (2011) ’ in Osborne, Dora (ed.) Edinburgh German Yearbook 9: Archive and Memory in German Literature and Visual Culture.Rochester; New York: Camden House, pp. 107-122.
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VISARIUS, Karsten (1995) ‘Ehrenrettung um jeden Preis. Zu „Yasemin“ von Hark Bohm' in Karpf, Ernst, Kiesel, Doron, and Visarius, Karsten (eds.) „Getürkte Bilder“: Zur Inszenierung von Fremden im Film. Marburg: Schüren, pp. 116-123. |